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Friday, 20 December 2013

Jimmy Page Being a Vehicle for Some Greater Force

"I know what my musical direction is now," he [Page] said at the end of 1973, "and at those times when I've hit it, it's just like I'm a vehicle for some greater force."
Davis, Stephen, Hammer of the Gods: the Led Zeppelin Saga, New York: Harper Entertainment, 2008, p. 211.

Wednesday, 18 December 2013

The Source of the Wizard of Oz in Baum's Own Words

"It [the Wonderful Wizard of Oz] was pure inspiration," he [Baum] said, "It came to me right out of the blue. I think that sometimes the Great Author has a message to get across and He has to use the instrument at hand. I happened to be that medium, and I believe the magic key was given me to open the doors to sympathy and understanding, joy, peace and happiness."
Baum, Lyman Frank, The Annotated Wizard of Oz, ed. Michael Patrick Hearn, Centennial Edition, New York: W. W. Norton & Company, 2000, p. xcv.
<http://www.amazon.com/The-Annotated-Wizard-Centennial-Edition/dp/0393049922>

Tuesday, 17 December 2013

Led Zeppelin's Robert Plant and Automatic Writing

As for the lyrics [for 'Stairway to Heaven' of Led Zeppelin's fourth album], written entirely by Plant, 'Jimmy and I just sat by the fire, it was a remarkable setting,' he recalled years later. 'I was holding a pencil and paper, and for some reason I was in a very bad mood. Then all of a sudden my hand was writing out the words, "There's a lady who's sure all that glitters is gold/And she's buying a stairway to heaven . . ." I just sat there and looked at the words and then I almost leapt out of my seat.' [...]
[...]
More words would come the following day as the band worked their way bit by bit through the song's epic journey. [...] Page recalled how, 'As we were doing all that, Robert was writing down the lyrics. They just came to him really quickly. He said it was like someone was guiding his hand.'
Wall, Mick, When Giants Walked the Earth: A Biography of Led-Zeppelin, London: Orion Books, 2008, pp. 242-243.

He [Robert Plant] often remarked that he could feel his pen being pushed by some higher authority.
Davis, Stephen, Hammer of the Gods: the Led Zeppelin Saga, New York: Berkley Boulevard Books, 1997, p. 243.
<http://www.amazon.com/Hammer-Gods-Stephen-Davis/dp/0425182134>
Davis, Stephen, Hammer of the Gods: the Led Zeppelin Saga, New York: Harper Entertainment, 2008, p. 243.

Sunday, 15 December 2013

Marduk, "calf of the sun"

[...] the logographic writing of his [Marduk's] name dAMAR.UD, Sumerian for "calf of the sun/sun-god"[...]
Nicole Brisch, 'Marduk (god)', Ancient Mesopotamian Gods and Goddesses, Oracc and the UK Higher Education Academy, 2013 [http://oracc.museum.upenn.edu/amgg/listofdeities/marduk/]

Saturday, 14 December 2013

Calling on the gods... Slay a few animals... At the crossroads

When I was back there in seminary school
There was a person there
Who put forth the proposition
That you can petition the Lord with prayer
Petition the lord with prayer
Petition the lord with prayer
You cannot petition the lord with prayer!

Can you give me sanctuary
I must find a place to hide
A place for me to hide

Can you find me soft asylum
I can't make it anymore
The Man is at the door [what man?]

[...]

There's only four ways to get unraveled
One is to sleep and the other is travel, da da
One is a bandit up in the hills
One is to love your neighbor 'till [sodomy?]
His wife gets home

[...]

All our lives we sweat and save
Building for a shallow grave
Must be something else we say
Somehow to defend this place
Everything must be this way
Everything must be this way, yeah

[...]

Out of sight!
The lights are getting brighter
The radio is moaning
Calling to the dogs [gods?]
There are still a few animals
Left out in the yard
[...]

[...]

We need someone or something new
Something else to get us through, yeah, c'mon

Callin' on the dogs [gods?]
Callin' on the dogs [gods?]
Oh, it's gettin' harder
Callin' on the dogs [gods?]
Callin' in the dogs [gods?]
Callin' all the dogs [gods?]
Callin' on the gods

You gotta meet me
Too late, baby
Slay a few animals
At the crossroads
Too late
All in the yard
[...]
By the crossroads
You gotta meet me
[...]
At the edge of town
[...]
Outskirts of the city
You and I
We need someone new
Somethin' new
Somethin' else to get us through
Better bring your gun
Better bring your gun
[...]

[...] 
  "The Soft Parade," The Doors, the soft parade.

  And he [Morrison] finally got there [the vocal theater and rhythmic tension of those first breakthrough records], at the very end of the album, in "The Soft Parade" [...] Morrison growls in ecstasy: "This is the best part of the trip!" And it is, a resolution of the fanfares and detours all over the rest of The Soft Parade, into that original pagan magic.
Fricke, David, the insert, the doors/the soft parade, Rhino Entertainment Company, 2007.

1844: The Beginnings of Spiritualism in Hydesville, New York

  The house at which the manifestations [rappings] first commenced, that have turned the eyes of the people of this generation to a more minute and careful investigation of spiritual phenomena [Spiritualism] than has characterized any preceding age, stands among a cluster of houses known by the name of Hydesville, in the town of Arcadia, county of Wayne and state of New York. It is a small framed building, one and a half stories high, and, at the time of the occurrences which have made it a matter of interest and curiosity to so many thousands, bore unmistakable evidences of age; and had been the humble shelter of many a family previous to that of Mr. Fox.
  It has generally been supposed, and so published, in most of the accounts of the commencement of these phenomena, that the sounds were first heard when the house was occupied by a Mr. Weekman. This seems to be an error, as there are, at least, two witnesses, whose testimony is recorded in a small pamphlet, published by E. E. Lewis, Esq., at Canandaigua, N. Y., in 1848, who testify to the sounds being heard by a family who occupied the same house in 1844. These witnesses are Mrs. Ann Pulver and Miss Lucretia Pulver.  The former testifies as follows:
  "I was acquainted with Mr. and Mrs. — (who occupied the house in 1844). I used to call on them frequently. My warping bars were in their chamber, and I used to go there to do my work. One morning when I went there Mrs. — told me that she felt very bad; that she had not slept much if any the night before. When I asked her what the matter was, she said she did n't know but what it was the fidgets; but she thought she heard somebody walking about from one room to another, and that she had Mr. — get up and fasten down all the windows. She said she felt more safe after that. I asked her what she thought it was. She said it might be rats. I heard her speak about hearing noises after that which she could not account for."
  Miss Lucretia Pulver, in her testimony, says: "I lived in this house all one winter, in the family of Mr. —. I worked for them part of the time, and part of the time I boarded and went to school. I lived there about three months. During the latter part of the time that I was there I heard this knocking frequently, in the bedroom, under the foot of the bed. I heard it a number of nights, as I slept in the bedroom all the time that I staid there. One night I thought I heard a man walking in the buttery. This buttery is near the bedroom, with a stairway between. Miss Aurelia Lozey staid with me on that night; she also heard the noise, and we were both much frightened, and got up, and fastened down the windows and fastened the door. It sounded as if a person walked through the buttery, down cellar, and part way across the cellar bottom, and there the noise would cease. There was no one else in the house at this time, except my little brother, who was asleep in the same room with us. This was about twelve o'clock, I should think. We did not go to bed until after eleven, and had not been asleep when we heard the noise. Mr. and Mrs. — had gone to Loch Berlin, to be gone until the next day."
Capron, Eliab Wilkinson, Modern Spiritualism: its facts and fanaticisms, its consistencies and contradictions, Boston: Bela Marsh; New York: Partridge and Brittan; Philadelphia: sold by Fowlers, Wells & Co., 1855, pp. 33-34.



[...] Lucretia Pulver, states that she lived with Mr. and Mrs. Bell during part of the time they occupied the house, namely, for three months during the winter of 1843-44, sometimes working for them, sometimes boarding with them, and going to school, she being then fifteen years old. She says Mr. and Mrs. Bell "appeared to be very good folks, only rather quick-tempered."
  She states that, during the latter part of her residence with them, one afternoon, about two o'clock, a peddler, on foot, apparently about thirty years of age, wearing a black frock-coat and light-colored pantaloons, and having with him a trunk and a basket, called at Mr. Bell's. Mrs. Bell informed her she had known him formerly. Shortly after he came in, Mr. and Mrs. Bell consulted together for nearly half an hour in the buttery. Then Mrs. Bell told her—very unexpectedly to her—that they did not require her any more; that she (Mrs. B.) was going that afternoon to Lock Berlin, and that she (Lucretia) had better return home, as they thought they could not afford to keep her longer. Accordingly, Mrs. Bell and Lucretia left the house, the peddler and Mr. Bell remaining. Before she went, however, Lucretia looked at a piece of delaine, and told the peddler she would take a dress off it if he would call the next day at her father's house, hard by, which he promised to do; but he never came. Three days afterward, Mrs. Bell returned, and, to Lucretia's surprise, sent for her again to stay with them.
  A few days after this, Lucretia began to hear knocking in the bedroom—afterward occupied by Mr. and Mrs. Fox—where she slept. The sounds seemed to be under the foot of the bed, and were repeated during a number of nights. One night, when Mr. and Mrs. Bell had gone to Lock Berlin, and she had remained in the house with her little brother and a daughter of Mr. Losey, named Aurelia, they heard, about twelve o'clock, what seemed the footsteps of a man walking in the buttery. They had not gone to bed till eleven, and. had not yet fallen asleep. It sounded as if some one crossed the buttery, then went down the cellar-stair, then walked part of the way across the cellar, and stopped. The girls were greatly frightened, got up and fastened doors and windows.
  About a week after this, Lucretia, having occasion to go down into the cellar, screamed out. Mrs. Bell asked what was the matter. Lucretia exclaimed, "What has Mr. Bell been doing in the cellar?" She had sunk in the soft soil and fallen. Mrs. Bell replied that it was only rat-holes. A few days afterward, at nightfall, Mr. Bell carried some earth into the cellar, and was at work there some time. Mrs. Bell said he was filling up the rat-holes.
Owen, Robert Dale, Footfalls on the Boundary of Another World, Philadelphia: J. B. Lippincott & Co., 1860, pp. 294-296.








Friday, 13 December 2013

The Development of Darwin's 'On the Origin of Species'

After five years' work [1842] I allowed myself to speculate on the subject [the origin of species], and drew up some short notes; these I enlarged in 1844 into a sketch of the conclusions, which then seemed to me probable; from that period to the present day I have steadily pursued the same object.
Darwin, Charles, On the Origin of Species, London: John Murray, 1859, p. 1.


In June 1842 I first allowed myself the satisfaction of writing a very brief abstract of my theory in pencil in 35 pages ; and this was enlarged during the summer of 1844 into one of 230 pages, which I had fairly copied out and still possess.
Darwin, Charles, The Life and Letters of Charles Darwin, 2 vols., ed. Francis Darwin, New York: D. Appleton and Company, 1887, vol. 1, p. 68.